Creative Wizardry

Crafting videos, visuals, and stories that capture the imagination.

I'm Whit — a Dallas-based editor, motion graphics artist, and all-around post-production problem solver. I take ideas from raw footage to polished final cut, blending editing, storytelling, design, and VFX to make work that actually *sticks*. When I'm not in the edit bay, you'll find me behind decks as **Wooper**.
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Editing

Where raw footage becomes a story with a pulse. I cut until the rhythm clicks, distilling hours into something you can't look away from.

  • Narrative instinct over checklist edits
  • Long interviews → sharp arcs
  • Pacing that lands beats, not just cuts

Motion Graphics

Visual choreography with pixel-perfect discipline. Years of working inside brand guardrails without ever feeling fenced in.

  • Styleframes to final, consistently
  • Brand-safe, never boring
  • Clean type, smart timing

Visual Effects

Tracking, paint-outs, comps—if it belongs in the shot, I'll make it live there. From green screen to invisible fixes, it's seamless sorcery.

  • Matchmove + stabilization
  • Clean plates, clean comps
  • Green screen that actually disappears

Color

Broadcast-grade grading that turns flat into cinematic. I balance precision with instinct, until every frame feels inevitable.

  • Look dev with restraint
  • Skin tones → sacred
  • Deliverables built for broadcast

Sound Design

Sculpting audio like clay—Ableton, Pro Tools, whatever it takes. From subtle atmospheres to big moments that land like thunder.

  • Tight edits meet textured sound
  • Original effects + foley
  • Mixes that feel spacious

3D

Dimensional thinking without overcomplication. Simple, striking forms and motion, composited into the real world or left deliciously abstract.

  • Blender + Unreal, pragmatic
  • Clean geo, bold shape language
  • Composites that sit naturally

AI

Machine learning as a creative multiplier. From pre-vis to generative visuals, I build workflows that make the impossible… less impossible.

  • Pre-vis on fast timelines
  • Image/video generation for ideation
  • Automations that save days

Visualizers

All the above, remixed for music. I design motion-driven experiences for LED walls and live shows—built for scale, meant to move with sound.

  • Audio-reactive concepts
  • LED wall pipeline experience
  • Playable loops with punch

Music Production

Bass-heavy journeys with a cinematic twist. I craft tracks that blend groove and grit—layered textures, melodic hooks, and drops that land like they've been waiting all night.